Headshot of La Cieca

Cher Public

  • Quanto Painy Fakor: At this stage of Pape's career he doesn't need to work with ...
  • mia apulia: Thank you Arianna; I am truly dotty with the late hour and a...
  • Arianna a Nasso: Caballe's studio Duchess is Anna Reynolds. Verrett recorded...
  • mia apulia: I heard this production in the 60s and have very happy memor...
  • louannd: Here is a good quote for you, from "Frontal Cortex" blog: ...
  • Indiana Loiterer III: I might also note that Lambton shows a lot less knowledge of...
  • Indiana Loiterer III: My problem with attitudes like Douglas's and Taruskin's is t...
  • The Wistful Pelleastrian: Hi Kennedet,Thanks for quoting a very interesting and...
  • A. Poggia Turra: For some reason, I always find myself rooting for the Duches...
  • Henry Holland: and how many would say “L’Amour De Loin?”Me, my f...

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63 comments

  • ChevalierDupin says:

    You are correct, Cassandra, and it was an oversight on my part. I should have specified that the tenor voice generally finishes maturation between 34 and 36. Certainly the lower the male voice, the longer the maturation period. My apologies.

  • Bridget Jones says:

    Thank you La Cieca!!!
    Asides from the weird brindisi choregraphie, i still think this production (what i saw from it) was wonderful.

  • Jurgen says:

    Will American audiences ever grow up and appreciate anything that is not pretty and sparkly?

    Go and create something new – as long as it looks good….!!!

    European-style opera can be demanding. But nothing is more infuriating than MET audiences applauding the set then falling asleep or talking.