Cher Public
- Quanto Painy Fakor: At this stage of Pape's career he doesn't need to work with ...
- mia apulia: Thank you Arianna; I am truly dotty with the late hour and a...
- Arianna a Nasso: Caballe's studio Duchess is Anna Reynolds. Verrett recorded...
- mia apulia: I heard this production in the 60s and have very happy memor...
- louannd: Here is a good quote for you, from "Frontal Cortex" blog: ...
- Indiana Loiterer III: I might also note that Lambton shows a lot less knowledge of...
- Indiana Loiterer III: My problem with attitudes like Douglas's and Taruskin's is t...
- The Wistful Pelleastrian: Hi Kennedet,Thanks for quoting a very interesting and...
- A. Poggia Turra: For some reason, I always find myself rooting for the Duches...
- Henry Holland: and how many would say “L’Amour De Loin?”Me, my f...
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You are correct, Cassandra, and it was an oversight on my part. I should have specified that the tenor voice generally finishes maturation between 34 and 36. Certainly the lower the male voice, the longer the maturation period. My apologies.
Thank you La Cieca!!!
Asides from the weird brindisi choregraphie, i still think this production (what i saw from it) was wonderful.
Will American audiences ever grow up and appreciate anything that is not pretty and sparkly?
Go and create something new – as long as it looks good….!!!
European-style opera can be demanding. But nothing is more infuriating than MET audiences applauding the set then falling asleep or talking.