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Cher Public

  • Rusalka: Yes, I know I am off topic but I could not resist to pass on this charming picture :) http://www.badi... 12:23 PM
  • Clita del Toro: On to more important things: I am watching *Lady in the Lake* with the divine Audrey Totter.... 12:18 PM
  • manou: Gérard? 12:07 PM
  • whatever: oedipe: i dont follow your point on the “matching 221; of the pension contribution and the... 12:05 PM
  • oedipe: Oops, Le Baron MoRtier… 11:52 AM
  • Clita del Toro: Manou, I was just joking. 11:44 AM
  • Quanto Painy Fakor: There was a letter from Levine to his colleagues at the MET posted on 12 May 2012 backstage... 11:36 AM
  • Evenhanded: Well. Thanks Semira! I spend almost zero time looking through videos online, so I had never seen this... 11:19 AM

20th century fox

Next week at The Morgan Library and Museum, New York City Opera General Manager-Designate Gerard Mortier will discuss his vision of opera. The lecture, entitled “The Excitement of 20th-Century Opera,” will focus on classic works composed by Claude Debussy, Leos Janácek, Olivier Messiaen, Karol Szymanowski, Mieczyslaw Weinberg, and others. Tickets for the program, scheduled for Friday, November 7 at 6:30 pm, are $20 and $25. More details may be found here.

UPDATE: A new production of Janacek’s The Cunning Little Vixen has just opened at the Opéra Bastille; according to the program it’s a co-production with the NYCO. Says reviewer George Loomis in the International Herald Tribune, “Happily, André Engel‘s staging will warm the hearts of even those most wary of the radical production style linked to Mortier.”

all’idea di quel metallo

The Metropolitan Opera led all U.S. arts organizations in fundraising from private sources with $128.1 million in 2007, according to a survey of 400 nonprofits by the Chronicle of Philanthropy. [via Bloomberg]

and five and six are witches’ tricks…

[kml_flashembed movie="http://www.youtube.com/v/akQ4Uhp0DOw" width="425" height="350" wmode="transparent" /] 

CORRECTION: In the words of the immortal Anna Russell, La Cieca will now shriek, “I can’t count!”  There are in fact 13 singers included in the “Which Witch” quiz/competition, not 11 as your doyenne previously announced. Math is hard!

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that’s what he said

“There is nothing like young performers to refresh older pieces.” [NYT]

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boots and saddles

It’s the Brokeback Ballet from Krzysztof Warlikowski‘s production of Yevgeny Onegin!

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which witch?

For the week of Halloween, La Cieca offers her cher public a particularly SPOOKY competition. First, listen to the composite clip below of various artists singing Ulrica’s aria from Un ballo in maschera. Then, if you think you can identify all 13 singers, do so via email to lacieca@parterre.com. The first email received with all 13 weird sisters identified correctly and in the correct order will receive this stupendous prize: Cult Opera of the 1970s, a 10 DVD collection of studio opera productions taped in Hamburg in the 1970s. The Halloween Quiz The fine print: contest ends at midnight, October [...]

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but really she wants to direct

Biting the hand that feeds her, La Cieca notes this amazon.com listing for a new project on which La Gheorghiu wears more than one hat.

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grandeur

Magnificent singing actress (and longtime parterre fave) Anna Caterina Antonacci casts a spell in the title role of Cherubini’s Medea in this week’s edition of Unnatural Acts of Opera. Medea, Act 1 Medea: Anna Caterina Antonacci, Giasone: Giuseppe Filianoti, Glauce: Cinzia Forte, Creonte: Giovanni Battista Parodi, Neris: Sara Mingardo, Il capo della guardia: Diego Matamoros, I ancella: Erika Grimaldi, II ancella: Luisa Francesconi. Teatro Regio, Torino; Evelino Pidò. October 12, 2008.

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