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Nina Lawson 1926-2008

Louis Mélançon / The Metropolitan Opera

Legendary Metropolitan Opera wig mistress Nina Lawson died last week at the age of 82. Above, a sample of Ms. Lawson’s coiffure for Joan Sutherland‘s first Met Norma at the peak of the Big Diva Hair era, circa 1970. [via NYT]

43 comments

  • Erstegeiger says:

    Those EYES~!!

    What’s wrong with her eyes?

    Drew

  • hndymn says:

    theatrical makeup goes thru fashion cycles like everything else—I’m pretty sure her eye makeup was intended to make the eyes appear larger or read better in a big house. In a close-up portrait it just looks odd, but then ALL theatrical makeup looks odd seen close-up. I remember in my college days we hoped for the same effect by putting a dot of bright red greasepaint at the inside corner of the eye, next to the nose. Didn’t do a damn thing, as I recall…

  • Rinaldo says:

    It was maybe injudicious to let this close-up photo circulate in public, but I bet she looked great from a distance. In addition to the expert help she received from hair and makeup experts like the late Ms. Lawson, Sutherland got to be very savvy about how best to present herself onstage, and learned to use her height and her build as advantages.

    As to the subject at hand, I’m glad to be reminded of any of those great technicians who work behind the scenes so unceasingly, and do so much for our enjoyment. Thanks.

  • jwb says:

    With the black streaks under the eyes the Dame looks like a football player – complete with helmet! (Sorry. I do love Joan!) And I agree with Rinaldo – here’s to all the backstage/behind the scenes workers that make our beloved Opera possible! Cheers!

  • La Cieca says:

    Drew:

    I think Dame Joan’s makeup is an exaggerated (or more exaggerate) version of the classic 1960s high fashion makeup.

  • Rukidn says:

    I think it is amazing……brava Lawson, you’ll be missed.

  • Max Zook says:

    My first thought was that she was wearing pince-nez, which were briefly the rage amongst the Brit hippies in the late ‘sixties.

  • Tubsinger says:

    Max, didn’t Mrs. Beasley wear the pince-nez? Who knew? Carnaby Street at Unka Beel’s house!

  • tannengrin says:

    Ms Lawson must have had one of the most interesting, challenging and frustrating jobs. Can you imagine standing between a singer’s idea of what makes her/him/it pretty and a director’s idea of a look suitable for the production? If they were both the same, peace & harmony reigned, but if not…

    If Ms Lawson didn’t publish a book of anecdotes, she must be admired for her restraint!

  • La Cieca says:

    Max Zook: and what’s more, she’s carrying a box of eggs inside her wig.