Headshot of La Cieca

Cher Public

  • m. croche: ACDouglas is no more reliable a guide to Taruskin than he is...
  • Ilka Saro: There was a production of Das Rheingold done where the Gold ...
  • Feldmarschallin: there is no DVD geplaned because they didn't have the fundin...
  • m. croche: "To me this whole ‘updating and modernizing’ enterprise ...
  • David: The play was excellent, but Luise lost out without the music...
  • MontyNostry: Ach, Ljuba. She voz a law unto herself. Ze proverbial flame ...
  • m. croche: Oh, snap!
  • Feldmarschallin: I don't know why Pape pulled out and I find it is difficult ...
  • Quanto Painy Fakor: At this stage of Pape's career he doesn't need to work with ...
  • mia apulia: Thank you Arianna; I am truly dotty with the late hour and a...

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CCCP music factory

After decades of acclaim both as a People’s Artist and as an international monstre sacré, what is left for a diva but to join in that hip-hop all the youngsters are doing these days?

69 comments

  • Thackeray Gnomey says:

    Self-deluding, yes, but it made great inflammatory reading … and there are probably elements of the truth in there. Shame she’s lost it, because 15 years ago she really did have a splendid voice.

  • kashania says:

    Thanks for posting that French and Saunders video, La Cieca. Love the reference to Mimi’s little hand being frozen.

  • armerjacquino says:

    That Gorchakova interview is FAB.

    ‘Callas is in a cemetery’ is a line that no creative writer would ever dare to venture when writing an embittered diva character.

  • rysanekfreak says:

    I saw Gorchakova in The Fiery Angel in San Francisco way-back-when, and the role of Renata has got to be one of the worst of the voice-killers. It was like she was shrieking full-volume in her upper register all night long. I knew at the time that poor Gorchakova’s once-beautiful voice was not long for this world.

  • only mildly shocked says:

    callas’ ashes were strewn in the Aegean Sea, therefore you pompous bitch, she is not in a cemetery.

    her remarks are fanciful and ugy. Never thought she had a great sound, sang well, but not great.

  • pavel says:

    Jeez, Galina Gorchakova! Talk about burning bridges!

  • Hagen d'Arse says:

    That interview may not show Gorchakova in a very flattering light, though a lot of it rings very true. Her opinion of Gheorghiu is widely shared, though less widely expressed, and she is right that Gheorghiu is not a natural Tosca – too light indeed.

    And as for Gergiev, I have never heard him in anything I liked except Russian music. His Mahler is execrable. And the schedules of the Mariinsky tours are indeed mad beyond belief – there seems to be very little respect for the voices, and also, judging from some of the casting of non-Russian projects he does that are not Mariinsky projects (the recent Mahler 8 in London for example) he has little understanding of voices outside the Russian tradition….

  • judycadanna says:

    I should have said shame on me and anyone else trying to show off our Russian skillz. I’m wondering how my comment rated a comment, when someone just a few above me suggested bringing pack the pogroms?

  • graustark says:

    I like the ring of Callas…cemetery. A nice bit of poetic license.