Headshot of La Cieca

Cher Public

  • irontongue: I was hoping to find places to vote for The Tempest and Les Troyens – and of course one can... 12:22 AM
  • La Cieca: You know La Cieca has often appropriated that bon mot of Mrs. Malaprop’s, “We will not... 12:21 AM
  • irontongue: I’m thinking that you might mean the 2011-12 season rather than 2012-13. 12:09 AM
  • Quanto Painy Fakor: Bears a striking resemblance to Eve Queller with a new do. 12:02 AM
  • zinka: I accidentally walked in to Hvorostovsky’ ;s dressing room before he changed…and believe me..He... 12:01 AM
  • Camille: I will never eat another banana without remembering Juanita! maravillosa! 11:59 PM
  • Bosah: You’re welcome! :) 11:54 PM
  • Bosah: Yes, probably, but I doubt somebody said, “Hey, we need an American classical singer,” and... 11:52 PM

tony star

136 comments

  • Gualtier Maldè says:

    “Helen Morgan was no Anna Held.”

    Anna Held, well you can have her! Helen Morgan was no Nora Bayes in my opinion.

  • Rob says:

    One of the best performances of Rose was given by none other than Ann Sothern! It was in the early 60′s, at a dinner theatre, somewhere is Mass. That dame had versatility pouring out of veins.

  • paddypig says:

    the biggest suprise of my life was the first time I heard Marilyn Horne live. The voice was not big. it was rather samll,powerful and focused but not big. It sounds huge on recordings and broadcasts but in the house it was not huge, always thrilling but never Nilsson or Dimitrova huge. Zajick and Cossotto had bigger voices but Horne had such incredible technique you quickly forgot that the voice was not huge, Podles definitely had a bigger voice. I love Marilyn Horne but would never define her as a “belter.”

  • La Cieca says:

    paddy, my experience with Horne was very similar. I do think that later on she could have done Rose with the usual theater miking a la Lupone. But Horne is right that the 8-a-week scheduled would play havoc with a classical technique.

  • Gualtier Maldè says:

    Auf Deutsch:

    Mama Rose: Gabriele Schnaut
    Herbie: Eike Wilm Schulte
    Louise: Nadja Michael
    June: Christine Schaefer
    Tulsa: Jonas Kaufmann
    Mazeppa: Gail Gilmore
    Tessie Tura: Anja Silja
    Electra: Karan Armstrong

    Conducted by Christian Thielemann
    Production by Barrie Kosky

  • leontyneschiava says:

    Certainly I was not implying that Horne was belter by trade in the Broadway sense…but she is very capable of belting and bringing the chest voice unusually high. Hear her sing” The Man I Love ” live and you will hear thrilling chest/belt. Not a huge voice at all….but on a mike in the theatre rep…gargantuan.