Headshot of La Cieca

Cher Public

  • Indiana Loiterer III: Oedipe:The whole passage you quote, moving as it is, dep...
  • Feldmarschallin: I think either Elsa Msxwell or Getrude Stein need to be Fric...
  • Superconductor: For a review that does not menton Whitney Houston, the Whitn...
  • Lindoro Almaviva: Not long ago we were talking in these pages as to how some r...
  • Will: It simply means that you cast the role with the singer or ac...
  • Will: Camilla Williams, who broke the color barrier for black wome...
  • Signor Bruschino: I think Bobby Brown is the reason that the LePage ring is so...
  • Camille: Thank you, Manrico, for taking time out from plghting your t...
  • kashania: A review of Domingo as Simon B. in LA. I found it interestin...
  • kashania: Wow, the connection to Whitney Houston is pretty desperate (...

blog advertising is good for you

ah! del tebro al speedo indegno

Hunks in skimpy loincloths have long been a feature of productions of twentieth century opera, especially during the Christopher Keene era at New York City Opera. But you don’t often get to see much homoerotic action in bel canto works like Norma, more’s the pity.

[via Barihunks]

22 comments

  • BabFab says:

    Hans Link:
    I so agree about Callas’ Medea film. I saw it as a teen and thought it was so amazing and scary. She should have done more movies. The boys who played her children were lovely. She bathes them so tenderly before she kills them as I recall.

  • Zink Sister says:

    I suppose the problem with Norma as Normano would be who is the mother of the little boys. (I know–they tried it with Julian and Vincent on Passions) And did Poli ever catch on to the person he was boffing? Or was the whole thing an ancient version of that French guy who did not know his Chinese honey was a dude?