Headshot of La Cieca

Cher Public

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  • PushedUpMezzo: That is not an option, ROH. Lance Ryan, Skelton, Begley, O’Neill, Daszak,perhaps a... 6:33 PM
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  • bobsnsane: Is that a crotch rocket? 6:19 PM
  • mrmyster: Point taken, Monty, but Voigt in FDW? Ouch! I think that is an exception to your generalization,... 6:17 PM
  • MontyNostry: Maybe she can take over as Cleopatra if Dessay cancels at the Met next season. With Jonathan Miller... 6:15 PM
  • phoenix: Ha! Do you really think that overblown warhouse Bartoli singing that even more overblown old warhorse of... 6:07 PM
  • MontyNostry: A provincial venue that seems to have some of the most interestingly conceived seasons on the... 5:47 PM

regie to wear

Another “Name that Regie” quiz for you, cher public.  Remember, if you have seen this production (or know the photos), don’t blurt out the answer — let others deduce it!

76 comments

  • Regina delle fate says:

    Antonio d’Oro – there is a recording of Gerald Barry’s Petra von Kant – a concert performance from Dublin released on DVD by RTE (the Irish version of the BBC). Here’s the catalogue number:

    Barry: The Bitter Tears of Petra von Kant

    RTÉ – RTE CD 261

    €24.79

    If you Google Barry’s Bitter Tears you’ll find a link and you can order it

  • Helluva Nervi says:

    This is whispering Hansel und Gretel to me….

    1. Dew Fairy
    2. Hansel and Mummy
    3. Witch and Gretel

    Or wait – it could just be Rheingold…

    1. woglinde camps it up.
    2. Loge offering Erda light relief for her gloomy prophecies
    3. Fricka and Freia
    3.

  • Barbara says:

    I have no idea what it is, but I want it.

  • Barbara says:

    ok, Ugly Lulu.

  • fromthepit says:

    It is of course Gerald Barry’s The Bitter Tears of Petra von Kant, from the original ENO production. I dare to reveal the answer even though to do so is against the rules, because La Cieca herself broke the rules by presenting these photos as an example of Regietheater. Presumably that term refers to a radical reinterpretation of the composer’s conception by a director. This production, a direct collaboration between composer and director on a world premiere, by definition cannot be Regietheater. An illustration of the excesses of the European stage, perhaps, or a radical reinterpretation of Fassbinder’s film, maybe, but Regietheater, no.

  • Antonio d'Oro says:

    My sincere thanks to il_guarany and Regina delle fate for leading me to a recording — I seem to have been shockingly unresourceful in not having found it myself.