Headshot of La Cieca

Cher Public

  • Bosah: You’re welcome! :) 11:54 PM
  • Bosah: Yes, probably, but I doubt somebody said, “Hey, we need an American classical singer,” and... 11:52 PM
  • Camille: Love that blonde beehive!! Worst: La NADA. 11:42 PM
  • Camille: Thanks again, A Poggia Tura, for posting the actual dates of the entire Houston season. I will be there! 11:34 PM
  • antikitschychick: This actually looks interesting… thanks for sharing Bosah :-) 11:10 PM
  • ianw2: Well, let’s face it, when you’re hiring an American classical musician its Renee or Yo-Yo. 11:08 PM
  • Bosah: By the way, here is the website for the Young Arts foundation, which is producing the series on HBO:... 10:53 PM
  • Bosah: Yup, good point. Fleming’s inclusion actually is surprising. She’s the only classical singer... 10:46 PM

jj meets “fille”

After Natalie Dessay‘s second act aria in La Fille du Régiment, the Metropolitan Opera audience just didn’t want to stop applauding — that’s how much fun they were having.  Finally the soprano had to shush them so this new production of the Donizetti comic opera (heard April 21) could rollick to its triumphant conclusion.

Our Own JJ reviews the rollicking in the current issue of Gay City News.

60 comments

  • Thackerary Gnomey says:

    Just listening to Entfuehrung from the Met. Damrau has a superb technique and is a refined artist, but does anyone find the voice itself beautiful?

  • scifisci says:

    Live it has a distinctively brilliant, bright sheen which can border on the metallic, but when filed down, it can be quite beautiful.

  • Thackerary Gnomey says:

    I have to say she sounds quite wiry and shrill over a mic.

  • Thackerary Gnomey says:

    In fact Alexandra Kurzak, the Blonde, has a voice that sounds fuller and more appealing (though not exactly seductive either …) That being said, there is some nice soft singing from Damrau at present. Enough of the live commentary from me!

  • kashania says:

    As usual, LC gives us a well-balanced and insightful review — much higher in quality than ones found in the NYT.

    Re: Norman

    It’s shame. I always imagined that she’d be able to give lieder recitals well into her 60s but the voice seems to be troubled. If she can’t stay on pitch in her mid-register (as has been reported) than there’s really not much hope left. She was my first diva and I will always treasure her performances of roles like Sieglinde, Ariadane, Cassandre and Didon. A friend of mine told me that he always found her to be a remarkable talent who didn’t quite fit in any category until she sang Berlioz. Then, an entire world seemed to open up. I think she could have been a fabulous Ortrud but she never took on the role.

  • kashania says:

    Damrau is a remarkable singer without a remarkable timbre.

  • Thackerary Gnomey says:

    Damrau is a bit like Dessay in that case, kashania. They both very glary at certain points in the voice.

  • Baritenor says:

    What aria did Palmer “Sing” on the broadcast. I was laughing too hard and I couldn’t tell.

  • kashania says:

    I thought that Damrau totally conquered “Marten aller Arten”. Brava!

  • leontyneschiava says:

    I thought the audience response was really weak……sad indeed!