Headshot of La Cieca

Cher Public

  • PushedUpMezzo: That is not an option, ROH. Lance Ryan, Skelton, Begley, O’Neill, Daszak,perhaps a... 6:33 PM
  • PushedUpMezzo: Cecilia is certainly more viable than Natalie. But over both I favour Karina Gauvin or Carolyn... 6:26 PM
  • bobsnsane: Is that a crotch rocket? 6:19 PM
  • mrmyster: Point taken, Monty, but Voigt in FDW? Ouch! I think that is an exception to your generalization,... 6:17 PM
  • MontyNostry: Maybe she can take over as Cleopatra if Dessay cancels at the Met next season. With Jonathan Miller... 6:15 PM
  • phoenix: Ha! Do you really think that overblown warhouse Bartoli singing that even more overblown old warhorse of... 6:07 PM
  • MontyNostry: A provincial venue that seems to have some of the most interestingly conceived seasons on the... 5:47 PM
  • Betsy_Ann_Bobolink: No problem, Camille, glad to help. First of all, F.K.-ing is a very personal thing and each... 5:31 PM

Hoppla!

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Many thanks to loyal reader Oliver for pointing us to this astonishing clip of Hildegard Knef singing “Seeräuber Jenny” from Die Dreigroschenoper.  True, she was hardly an opera singer; in fact, Ella Fitzgerald once called her “the world’s greatest singer without a voice.”  But as this clip demonstrates, La Knef was diva to her fingertips!

Da steht der Moob und da steh’ ich

Until recently, soprano Diana Damrau was unaware of reports of steroid abuse in the 18th century seraglio. (Photo by Ken Howard, Metropolitan Opera.)

quotidienne

Oh, it’s just a typical day in the life of Shirley Verrett: walking the dog, crooning a few show tunes, going for a sleigh ride in a fur turban, vocalizing in a variety of silk scarves, strolling in the Bois, pounding notes on the Casio, and oh yes, belting out a Gluck aria or two.

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chacun le chat

La Cieca thanks you all for your lively conversation during this afternoon’s chat about La Fille du Régiment.

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“angela told chicago to go f*ck themselves,” alagna remarks

“She asked one time, they said no. She asked a second time – no. At the third time she said Vafanculo [literally, “go f*** yourself”]. You know how many times you sing La Bohème without rehearsal in the world? Roberto “Oil on Troubled Waters” Alagna continues his unique relationship with the media in an interview with Neil Fisher of the Times Online.

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high and mighty

Philip Glass’ 1980 opera “Satyagraha” is a very high-minded work, but it never hides behind its principles. Musically and scenically the Met’s production (seen April 11) would rank as a successful work of art even if its subject matter were less inspirational. Our own JJ’s review appears in the current issue of Gay City News.

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when barihunks go bad

Now, stop La Cieca if she’s wrong, but it seems to her that the concept for this production of Carmen is that Escamillo is a 1970s gay clone. Well, no, La Cieca doesn’t get it either. But see for yourself: [kml_flashembed movie="http://youtube.com/v/6F_hltdh1KE" width="425" height="350" wmode="transparent" /]

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in the dark about the park

In what La Cieca hopes may be a quiet voice of reason, or, failing that, just for the sake of clarity, she would like to quote from the press release announcing the Met’s program for the summer of 2008. “We are trying something new this summer, which we think will be especially appealing to all New Yorkers,’ said Met General Manager Peter Gelb. And now a line from yesterday’s item in the New York Times: Peter Gelb, the Met general manager, called the plan an experiment. One detail conspicuous by its absence is any statement by a Met official saying [...]

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