“Take a 10-piece Gypsy band, add a hefty dose of opera, a dash of punk rock, a unicyclist and a flock of geese . . . ” [via AP]
Lots of interesting guesses, but the previous Regiequiz seems to have stumped our panel. The opera depicted is one that has become something of a favorite of revisionist directors, La Juive. You can see some of the more interesting bits of the staging in context in this video from the Staatsoper Stuttgart:Â
[kml_flashembed movie="http://youtube.com/v/xEnPr8jbjb0" width="425" height="350" wmode="transparent" /]
And now on with the game. Can you name this opera? Read more »
La Cieca just taken a look at a detailed schedule of Met performances for next season, and so she’s only just become aware of the following very interesting couple of weeks around the holidays: Read more »
A loyal member of the cher public noticed this howler by Need You Ask in the online NYT earlier today: Unfortunately for La Cieca (and, well, yes, for anyone else with journalistic standards — so sue me!) the Times has already managed to do one of their “Ministry of Truth” numbers on the offending paragraph — without, it should be noted, mentioning the earlier wildly erroneous version! Continued outrage after the jump.
It’s Janice Baird as Isolde tonight, opposite (still) Ben Heppner. This is getting to be like a freaking mathematical exercise.
The barihunk on the right is Jonathan Lasch, in character for The Rape of Lucretia. [via barihunks, naturally]
So La Cieca’s Met spy tells her that Angela Gheorghiu sauntered into a rehearsal for the Café Momus scene 45 minutes late after what must have been a leisurely lunch, then proceeded to offer “suggestions” improving upon the Franco Zeffirelli staging of the scene. La Cieca would say that given the diva’s track record, the Met is well ahead of the curve. The first of seven sold-out performances of La bohème is Saturday night.
Cher Public