November 2007
As La Cieca’s clever public guessed six weeks ago, Renée Fleming is not going to sing Norma. “The part just didn’t fit as she had hoped it would after living with it,” Fleming publicist Mary Lou Falcone said Thursday to the Associated Press. La Fleming, 48 (though she doesn’t look a day over 20, does…
“Legendary maestro Tullio Serafin once said that trying to perform Bellini’s Norma without a great soprano is as futile as attempting to cook risotto without rice. This month, the Metropolitan Opera experimented with such a recipe with less than palatable results.” Our Own JJ reviews Hasmik Papian‘s Druidess in Gay City News.
La Cieca presents an all-purpose season brochure for an American opera company, done in the familiar “Mad-Lib” style. Enter text in the boxes below, then click the “Go Mad” button to read your version of The Season Brochure.
The Met announced this morning yet another media partnership, this one with iN DEMAND Networks “to offer all eight new performances from the Met’s second season of Metropolitan Opera: Live in High Definition to on-demand subscribers in the United States in both standard and high definition formats.” The basic idea is that the video from…
Dame Kiri te Kanawa embraces her inner Alexis Morell Carrington Colby Dexter Rowan for this scene from the Handelian pastiche The Sorceress. Despite the film’s 1993 release date, the sensibility is pure ’80s: massive hair, voluminous frock, garish lighting design… and don’t overlook the multitude of smirking supers! (Just so you know, the aria is…
Our Own Gualtier Maldè reflects on Maria Guleghina’s first Met Norma. True confession: I love Maria Guleghina, I really, really love her. I know her flaws but her strengths are such that they sweep aside severe demerits that would consign any other artist to filth. Among contemporary singers she is one artist who thinks big,…
Don’t forget, cher public: tonight La Cieca hosts a live chat on the topic of the Norma broadcast from the Metropolitan Opera, featuring Maria Guleghina‘s first local stab at the Role of Roles. Join La Cieca in the chatroom La Foresta d’Irminsul beginning at 7:15 PM. Dare we hope tonight’s performance will be as fabulous…
“My theory: Composers who ignore significant parts of their being – nationality included – cut their creativity off at the knees. Barber was being derivative in self-defeating ways out of deference to the operatic genre. Bernstein, in comparison, was out to tell important stories using the most effective means possible…” David Patrick Stearns adds his…
“Ye Gods! In all the annals, can there be an opera containing more unmitigated codswallop than Erich Korngold’s Das Wunder der Heliane (‘The Miracle of Heliane’)?” Their Own Rupert Christiansen continues: Dreadfully overheated and over-loud, the prolix first act has a slavering and maudlin sensuality that gave me the creeps …. [T]he rapturous sublimity that…