Voices of Springfield
In honor of Domingo's debut in one of the few media he has not long since mastered, La Cieca presents an Unnatural Acts of Opera podcast featuring one of the tenor's most spectacular live performances, Turiddu in Cavalleria rusticana from Munich in 1978. Opposite Domingo is the Santuzza of Leonie Rysanek, with none other than Astrid Varnay sinking her teeth into the role of Mamma Lucia.











18 Comments:
Thanks for the reminder, Madame, I almost forgot about this.
Wow, that's gonna be some performance. Can't wait!
i love it! so cool that he's doing this. i can't wait.
Ah, Peaceful Sunday.
It will truly be one with him on the show.
What a scream =)
Miss you PDomiddy!
Are you sure that is a cartoon of PD? It looks a lot like the late and great Victor Mature.
And while we're discussing Domingo-land, I discovered today (at a performance of Dame Ethel Smyth's The Wreckers) that the D.C. Opera is doing Lucrezia Borgia next year with Kate Aldrich (who sang Thirza) as Orsini. Anybody know who will be singing the other three leads in those performances, or likely dates?
I like Lucrezia Borgia A LOT. The Wreckers was okay, too.
- Hans Lick
the episode was a bunch of cliches without enough opera. placido's cameo was pretty cool though. i think the simpson writers are better than that.
I would bet you that most references were beyond the average audience--like the Springfield Opera House bearing more than a passing resemblance to Sydney's. It was very funny and PD did a great job.
Bravi!
Springfield had a concert hall designed by Frank Gehry. Then when attendance dwindled (c.f. the death of classical music), Mr. Burns bought it and turned it into a private prison. When will they turn Avery Fisher Hall into a men's prison?
Oh come on, Homer knocking Mimi out of the bed to sing was pretty funny. And I loved the opera groupies!
I was thoroughly disappointed in this Simpson's production. It appears that Maestro Domingo has been spending too much time at the after show dinner parties as his weight seems to have ballooned to an undesireable level. It was also obvious that Mr. Simpson was lip synching his performance. Perhaps his finer days on the stage are behind him. The dramatic reading was sloppy and irrelevant. The sets were cheap in appearance and had little to do with the story at hand-true Eurotrash. One couldn't help but long for the day of the great celluloid opera stars, Elmer Fudd and Bugs Bunny.
Is that YOU, Placido??????
Classic line:
Homer: I'm retiring from opera. It's just too popular!
And episode. Homer as the sobbing Rodolfo was hilarious.
Brightshdaow...
last I heard, Renee Fleming was going to sing Lucrezia in Washington next season.
I heard this from Barbara Quintiliani, who is contracted to be her cover...
How was Homer supposed to do Act 3: flat on his back in the snow at the gate of Paris? Or before that, out on the streets at the cafe?
I liked the episode and I appreciate La Cieca posting it on Unnatural Acts of Video for those of us who missed it.
Most pop culture shows, if they refer to opera, usually mock the art form. That episode was actually a nice tribute. They used actual music from La boheme and the Marcello even looked like he was modeled after Richard Stillwell in the Met video. I also like the use of Don Giovanni in the soundtrack during the climactic scenes. And Domingo was great.
I also enjoyed the Cav podcast very much. Leonie is in excellent voice for this performance. Her usual vocal problems are kept at bay. It's a very exciting performance.
I loved this broadcast. Did anyone recognize Ruth Falcon as the Lola? What's the range on that character: It's a Mezzo role, but I have recordings of two sopranos singing it now, ms. Falcon and Faith Esham (another Domingo performance I highly recomend, this time with Troyanos as his Santuzza.)
I, too, loved the Cavalleria, but I do have one question. Who--or perhaps more trenchantly, why--is that baritone singing (loosely used here) Alfio?
Post a Comment
<< Home