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Cher Public

  • Cocky Kurwenal: Finally looked at the music indeed. This was not going to be her first Ballo Amelia – as... 7:52 AM
  • Cocky Kurwenal: Surely Jaho knows the role! 7:47 AM
  • Krunoslav: Here’s one for the queen regularly decrying Emily Magee for not being Harteros or Herlitzius (or... 7:45 AM
  • Cocky Kurwenal: Not just that Oedipe, but the theatre itself is the most congenial for the voice out of all those... 7:44 AM
  • Regina delle fate: The reviews have been mixed but broadly positive. I’m hoping he lasts out until June 2!... 7:40 AM
  • Regina delle fate: Oh sorry, but the above makes no sense at all. As an editor, Kellow’s responsibility is... 7:36 AM
  • Regina delle fate: Haha! Well spotted, Ginger! 7:19 AM
  • oedipe: See, that’s why I think the next season at Staatsoper Wien is tops and I plan to spend a lot of my... 7:17 AM

Happy Birthday, Anna Tomowa-Sintow!

Why did I ever buy him those damn long pants?

La Cieca is suffering a mild case of Empty Nest Syndrome this afternoon, since she just found out that parterre.com fave Stephen Costello is all grown up. It turns out that Stephen is the “TBA” who will sing Edgardo (his very first!) in Lucia di Lammermoor at the Met on October 25. In this spectacular followup to his scheduled house debut as Arturo next week, Stephen is joined by Annick Massis, Mariusz Kwiecien and John Relyea in a performance conducted by James Levine and broadcast live on Sirius.

In other TBAlicious news, an artistic administrator or two is breathing a little easier this afternoon as the Met has finally announced completed casting for their new production of Verdi’s Macbeth — only a month before the October 22 opening! Maria Guleghina will sing Lady Macbeth in the “Live in HD” January 12 matinee performance relayed to movie theaters around the world. She will also sing the role on January 9 (which had not been previously announced) and on October 22, 26, 31, and November 3 as scheduled. Andrea Gruber will sing the role of Lady Macbeth on January 5 and 15 (which also had not been announced) as well as on the previously scheduled dates of May 9, 13, and 17. The new production of Macbeth is directed by Adrian Noble.

Return to Oz

Teddy Tahu Rhodes stars in the first Australian production of Dead Man Walking.

To which La Cieca can only respond, “Nathan Who?”

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Oh! che volo d’augelli

La Cieca’s little bird sang true: yesterday it was announced that James Robinson will be the new Artistic Director of Opera Theatre of Saint Louis. Moving on to another story that you heard first from your doyenne, ze bad-boy of ze opéra Gérard Mortier spilled his plans for his first NYCO season yesterday. In 2009-2010 he will offer Stravinsky‘s The Rake’s Progress, Philip Glass‘s Einstein on the Beach and John Adams‘s Nixon in China. Ian Bostridge will slouch into town to headline a production of Benjamin Britten‘s Death in Venice. Also in 2009-2010, the Park Avenue Armory and Drill Hall [...]

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"She runs upstage screaming and then sits on the stairs laughing maniacally" is the new "weeping bitterly, she consents to the horrible bargain"

That’s a bit of the description of Natalie Dessay‘s Lucia mad scene, as dress-rehearsed at the Met earlier today and reported by La Cieca’s spy. The complete report (including SPOILERS!) follows: I’m sure some people will be up in arms over the production. It is set in the mid-19th century. The costumes are decent. Mariusz Kwiecien sounded good although he seemed to oversing at times, but I attribute that too the before noon rehearsal time. At any rate, he sounded amazing. In “Regnava nel silenzio,” Zimmerman has an actress appear as the ghost that Lucia sings about. I’m sure some [...]

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Sans amis gais

A full account of “A Tribute to Beverly Sills” may be found at PlaybillArts though, curiously, the “photo journal” (from which this image was yoincked, and which includes a look at la Netrebko’s more tasteful garb) seems to have vanished into the ether.

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Watch out boy she’ll chew you up

“Jossie is a wild girl,” says a former MetOpera colleague. “You never knew what gutter you’d wake up in when you went out with her.” …. As her career began to escalate, so did, by many accounts, her outlandish party lifestyle and behavior. Like Carmen, Pérez moved fluidly from man to man, boasting to colleagues and former schoolmates about her conquests onstage and off. She got a reputation for her mouth, her “independent spirit” and for doing it her way. Anna Netrebko better watch her back, if this article in Williamette Week is to be believed. And, my dears, you [...]

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The new Callas?

Maria and Anna, morphed.

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