La Cieca hears the good news that Ruth Ann Swenson has recovered well enough from her cancer treatment to jump into a couple of performances of Maria Stuarda at the Opéra de Lyon this past week.
Placido Domingo stars as “himself” in what looks to be a steamy episode of The Simpsons this Sunday, September 30 on Fox. It seems Homer Simpson is tranformed into a tenor after he suffers a freak head injury (in other words, he’s no different from most tenors) and seeks the advice of maestro Domingo. Not about singing, mind you; rather, how to fend of unwanted groupies.
In honor of Domingo‘s debut in one of the few media he has not long since mastered, La Cieca presents an Unnatural Acts of Opera podcast featuring one of the tenor’s most spectacular live performances, Turiddu in Cavalleria rusticana from Munich in 1978. Opposite Domingo is the Santuzza of Leonie Rysanek, with none other than Astrid Varnay sinking her teeth into the role of Mamma Lucia.
Only rarely can a writer inspire first violent agreement and then equally fervent disbelief in the space of a couple of short paragraphs, but Kyle MacMillan of the Denver Post can now claim credit for La Cieca’s current bipolarity:
Renée Fleming just might be the the world’s most undivalike diva. [well, duh!]
Much like, say, Audrey Hepburn, the 48-year-old soprano manages to gracefully balance sophistication and poise with an appealing sense of grounded genuineness. [whaaaaaa...?]
La Cieca predicted a cast change earlier, and what do you know, so it came to pass! Soprano Lisette Oropesa will sing the Tuesday prima of the Met’s revival of Le nozze di Figaro and at least one more performance. She is jumping in for the enceinte Isabel Bayrakdarian. Ms. Oropesa is not only a member of the Met’s Lindemann Young Artist Development Program but (even more impressively) she is La Cieca’s homegirl since she is a graduate of LSU in dear old Baton Rouge! It should be noted, however, that she and La Cieca matriculated in different centuries. Meanwhile, [...]
The regularly scheduled podcast from Unnatural Acts of Opera will be delayed a bit, not really because of “technical difficulties” but rather because La Cieca is getting herself out of the house for once and attending the opera. Tonight it’s the seconda of the Met’s Lucia di Lammermoor, and your doyenne (squired by Milton Host) will be on hand to take in all the Dessayesque dementia. Unnatural Acts of Opera will be updated tomorrow night (Friday) with a classic performance of an Italian warhorse, starring a veteran tenor who this very weekend will make his debut in a new medium. [...]
According to Rush & Molloy in the Daily News, Annie Proulx has given the go-ahead to an opera based on her story “Brokeback Mountain.” Charles Wuorinen will compose. UPDATE: Now PlaybillArts is confirming the rumor, complete with quotes from Howard Stokar, Charles Wuorinen‘s agent. La Cieca would boast that she called it, but alas that was the same posting that provoked Met insider NOT_GAY (well, that narrows it down) to complain that “this flaming, gay personality comes out and everything worthwhile that you wrote loses its meaning.” So now it looks like we were both right!
Stepdaughter Sieglinde summarizes the critical reaction in blog and print to Stephen Costello‘s Met debut. No surprises here for La Cieca, who observed equivalent ecstasy in real time during her Monday night online chat:
So La Cieca asks: if you’re a guy known as one of opera’s hottest hunks, who better to choose for a romance than an alluring superstar soprano? It’s sure hot when this pair are booked at the same opera house!
Maury D’annato: “Isn’t there probably some sort of unspoken crypto-paleo-musico-semantic rule governing that baritone=top and tenor=bottom?”
Cher Public