
Régine Crespin does her “New York has neon, Berlin has bars” routine on a French variety TV show “Palmarès des chansons” circa 1967. She sings her version of one of the greatest hits of the evergreen entertainer Mistinguett, the chanson “C’est vrai!”.
A video excerpt of this performance (featuring Mme. Crespin “entourée de danseurs avec plumes”) may be found on the Place aux Chansons website.
To wind up this summer’s Wagner festival on Unnatural Acts of Opera, La Cieca plans to play the composer’s first “canonical” opera, Der Fliegende Hollander. But which live performance, she wonders. That’s where you come in, cher public. La Cieca lists below a selection of exciting live Hollanders, and you get to vote on which you would most like to hear. Voting will be open until 4 p.m. on Saturday, July 28, at which time La Cieca will declare a winner and proceed to post the performance.
UPDATE: Voting is now closed, and the winner is the 1955 Knappertsbusch performance from Bayreuth. Here is the final tally:

Well, this is what La Cieca gathers from Katharina Wagner‘s production of Die Meistersinger (without, of course, having had the benefit of actually seeing it!) KW’s basic idea is that Great-grandfather Richard presented an overly optimistic view of the dramatic action of the opera. Walther is taught by Hans Sachs to moderate his radical musical ideas by adopting traditional forms; that way his music can be understood by his audience. KW sees this compromise as a sellout, so she depicts the climactic singing contest satirically, as an “American Idol” hypefest. Walther basically grows out of his rebellious phase (e.g., splashing [...]
A few selections from The Opera Critic, demonstrating that great minds do not always etc. etc. That is, assuming you believe that British critics count as “great minds.”
Bayreuth scion-apparent Katharina Wagner‘s production of Die Meistersinger opened yesterday at the Festspielhaus. As you can see, this production is rather curiously cast with David Beckham as Walther and Aprile Millo as Eva. Oh, well, all right, La Cieca must have her little joke, you know. The tenor is in fact Klaus Florian Vogt, whom many of you heard sing Lohengrin at the Met back in 2006, and, if this photo is anything like accurate, is indeed the “Traumboot” above referenced. Now, be honest, cher public. If you saw this fellow approaching on a boat, would you even notice that [...]
Our editor JJ‘s review of the Caramoor concert performance of Il trovatore (featuring Ewa Podlés as Azucena) is in the current issue of Gay City News. And for those of you who long for the gay stereotypes of yore, please note that this opera review is currently the most popular story on GCN’s site, beating out items on Ben Affleck, Adam Sandler, Barack Obama, and even Jim Naugle, the mayor of Fort Lauderdale!
Cher Public