May 2007
La Cieca hears that Ruth Ann Swenson has withdrawn from her autumn performances of Agrippina at the New York City Opera. This just in… “replacing” Swenson will be none other than the legendary Nelly Miricioiu! The Romanian diva assoluta is seen here in a 2003 performance of Anna Bolena.
La Cieca is distressed to inform you that her YouTube account comprising 90 videos has been suspended. The cause of the action was a series of DMCA complaints from someone called “ByOnegin S.L.” who claimed “infringement” from three videos featuring Mariella Devia and Montserrat Caballe. La Cieca is naturally distressed that all these favorite videos…
Although the cult TV hit Gilmore Girls has just ended its run after seven seasons on the CW, La Cieca thought you might enjoy a video featuring the “missing” Gilmore Girl (Miss Gail, that is.)
The return of Unnatural Acts of Opera continues with another rarity, Respighi’s 1934 grand opera La fiamma. Starring in this tale of witchcraft in medieval Ravenna is American soprano Alessandra Marc as the mysterious Silvana. According to Will Crutchfield‘s review of this live 1987 performance in the New York Times, La Marc’s “voice is full,…
“Wall to Wall Opera,” a 13 hour orgy of things operatic, inhabits Symphony Space beginning at 11 a.m. on Saturday. Among the festivities is a master class in bel canto interpretation by Renata Scotto, but the moment La Cieca most eagerly awaits will arrive courtesy of Encompass Opera Theatre. We are promised a performance of…
The legendary mezzo-soprano celebrated her 97th birthday on May 12. In this clip she is seen rehearsing with Franco Corelli for a 1963 production of Cavalleria Rusticana, and then in an interview from 2003.
A couple of weeks ago we had the chance to see and hear what Juan Diego Florez looked and sounded like at the age of 16. And now, again through the magic of YouTube, here’s a rare clip of Rolando Villazon as a boy soprano!
Interesting choice of words in this PlaybillArts headline: Nathan Gunn Pulls Out of Billy Budd in Pittsburgh
“No one could doubt the sincerity of Mark Morris‘ admiration for the late mezzo-soprano Lorraine Hunt Lieberson, who was to have collaborated with him on the Metropolitan Opera’s new staging of Gluck’s Orfeo ed Euridice. However, the opening night performance of this production (May 2) did not convince me that the choreographer can channel this…
A Met insider whispers that new chorus director Donald Palumbo, recently praised to the skies for his “tireless” efforts on Orfeo, may not want to stay tired for long. According to our source, “warning of vocal deterioration” letters have already been drafted to be sent to several members of the Met regular chorus, especially in…
La Cieca has finally found a way to harness the massive intellectual prowess of her commenters for what she hopes is a good and peaceful purpose. From time to time she is asked for recommendations on, well, this and that, and she’s realized that you, cher public represent an paralleled resource for advising, counselling and…
The Met’s press office just sent this out: New York, NY (May 8, 2007) – Bizet’s Carmen with Russian mezzo-soprano Olga Borodina in the title role will be revived during the Met’s 2007-08 season, replacing the previously announced performances of Offenbach’s Les Contes d’Hoffmann. The change in repertory is due to the decision by Argentine…
La Cieca hears that the Met will scrap next season’s revival of Les Contes d’Hoffman (scheduled for February-March 2008) in favor of Carmen. A well-informed source suggests that the switch will be done at the behest of tenor Marcelo Álvarez, who would have sung the title role in the Offenbach but will now perform his…
A Happy Shade whispers to La Cieca about the Met’s Orfeo (opening tonight): “This show is awesome. The dancing is really interesting and fits the music very well. Donald Palumbo has really worked tirelessly to make the chorus sound as good as possible, giving notes and comments all through rehearsals. I’m told from long-time members…
A rare chance to hear Evangelia Callas (mother of Maria) tell her side of the story. This audio clip from a 1962 television interview is in rather dim sound, but we do get a sample of Evangelia’s singing voice! Evangelia
Gender-bending diseuse Zarah Leander crosses over into opera to sing “Che farò senza Euridice” in this scene the 1938 film Heimat. It may be noted that the sub-contralto Leander chooses a lower key for this aria than the written C major David Daniels will sing tomorrow night! For more about the iconic Zarah, see Ben…
Tell us: Filth or dementia?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
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