Headshot of La Cieca

Cher Public

  • oedipe: You are right, I almost forgot! Though -as she is the one and only and way past sale by date, whereas... 5:13 AM
  • armerjacquino: Apart from the fact that the singer he originally cast is French. 4:51 AM
  • oedipe: That’s why she is moving on to French roles, which ANYBODY can sing. Of course, it would never occur... 4:23 AM
  • Feldmarschallin: What a surprise this morning when I was listening to Bayern 4 Klassik at 7 and they bring a... 2:39 AM
  • antikitschychick: This was a smart move…if anything a definitive attempt to distance himself from the... 12:38 AM
  • antikitschychick: ITA. Very well-put. As Cieca incisively noted, debacles/decisions like these are not just about... 12:20 AM
  • antikitschychick: Manou, your wit is boundless!! This has truly made me LMAO!! 11:34 PM
  • Bosah: Very glad to hear that. Thanks for the information. 11:34 PM

Length matters

“The Met’s lavish new production of Giacomo Puccini’s operatic trilogy Il trittico (heard April 20) was almost as enjoyable as it was long.” Our editor JJ’s somewhat contrarian position may be read in Gay City News.

11 comments

  • Will says:

    Not so much contrarian as balanced and realistic, I suspect.

    Maestro’s tendency to drag things out has been a problem only intermittently here with the Boston symphony. Some works seem to energize him and others, or parts of others, lead him to distended, sluggish tempi and a feeling that there’s no rhythmic pulse in the piece. Odd.

    Maybe by the time I see the TRITTICO, he’ll have found its pace–TABARRO should crackle with tension and drama as much as SCHICCHI with comic sparkle.

  • OPÉRA CHANTEUSE says:

    Thanks for the Link, Madame Cieca…I always find Mr. Jorden’s review to be stimulating and always enjoyable.

  • Todd says:

    ms. chantoose,

    you realize they are one and the same? ms. cieca and ms. jorden, that is…

  • winpal says:

    And I believe Sally Field is playing the lead in the biopic.

    Great review, as always, La C. We like you, we really like you.

  • Doug says:

    rip slava rostropovich. my heart goes out to galina today.

  • J says:

    La Cieca your reviews are far superior in every way to the so-called opera critics in the Times. Thank you.

  • Will says:

    Yes, J, you’re quite right. I suspect it’s because Mme. Cieca actually knows something about opera. That’s an asset the Times might consider adding to the job description.

    However, they’d probably list it as “minimal knowledge about the history and traditions of opera, the technique of vocal production, and the aesthetics of contemporary production styles desirable but not essential.” Don’t want to scare potential candidates off, you know.

  • Daniel says:

    What a great musician and a great man Slava Rostropovich was- and how he will be missed.
    Galina & he paid a huge price for standing up to the system in the Soviet Union and I’m always sorry her career suffered because of it because she was seriously great in her own right.
    Galina never had anything nice to say about Obratsova – who reportedly was quite a party hack in those times.

  • Baritenor says:

    Slava Rostropovitch was a great conductor, a great cellist and a great man. I’ll miss him dearly.

  • OPÉRA CHANTEUSE says:

    Pardon my ignorance, but, I absolutely didn’t know that, Todd! Wow! Okay, Now I am really in love with Madame La Cieca. My favorite was her stupendous review of Madame Gheorghiu’s Traviata last season. I have it saved somewhere. Sorry for not knowing your “real” identity, Madame Cieca!

    -Opera Chanteuse