The Metropolitan Opera has just announced that Lorin Maazel will return to the Metropolitan Opera for the first time in 45 years to conduct six performances of Wagner’s Die Walküre beginning January 7, 2008. These performances will be Maazel’s first with the company since the 1962-63 season. (To give you some concept of how long ago that was, Maazel’s assignments that season included Der Rosenkavalier with Regine Crespin making her Met debut, directed by Lotte Lehmann.)
The Walküre performances run through February 9, 2008, with a cast that includes Lisa Gasteen (Brünnhilde), Adrianne Pieczonka/Deborah Voigt (Sieglinde), Stephanie Blythe/Michelle DeYoung (Fricka), Clifton Forbis/Simon Dennis O’Neill (Siegmund), James Morris (Wotan) and Mikhail Petrenko (Hunding).
A quarter of a century elapses between the prologue and first act of Verdi’s Simon Boccanegra. By a bizarre coincidence, that’s exactly the same length of time since Bernard Holland has had anything remotely relevant or intelligent to say in print. His latest “efforts” are in today’s NY Times, but I’m not going to bother to link. After all, La Cieca is pretty sure that you all know the plot outlines of Simon Boccanegra and The Grapes of Wrath. Even though Holland was supposed to review actual live performances of these two operas (the latter a world premiere), he didn’t quite get around to writing anything you might call a “critique.” Instead, he cribbed a few lines from Cliff’s Notes, then slumped back into his usual banana-eared stupor.
Cher Public