Headshot of La Cieca

Cher Public

  • Feldmarschallin: I don't know why Pape pulled out and I find it is difficult ...
  • Quanto Painy Fakor: At this stage of Pape's career he doesn't need to work with ...
  • mia apulia: Thank you Arianna; I am truly dotty with the late hour and a...
  • Arianna a Nasso: Caballe's studio Duchess is Anna Reynolds. Verrett recorded...
  • mia apulia: I heard this production in the 60s and have very happy memor...
  • louannd: Here is a good quote for you, from "Frontal Cortex" blog: ...
  • Indiana Loiterer III: I might also note that Lambton shows a lot less knowledge of...
  • Indiana Loiterer III: My problem with attitudes like Douglas's and Taruskin's is t...
  • The Wistful Pelleastrian: Hi Kennedet,Thanks for quoting a very interesting and...
  • A. Poggia Turra: For some reason, I always find myself rooting for the Duches...

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Junktrunk speaks!

“Of Edita Gruberova‘s debut here two weeks ago, Hanslick wrote in Latin Inches, ‘Not since Elisabeth Schwarzkopf melted the heart of a gazillion year old fan seated far up in the loge of the great Everard Baths has any artist managed to slide both the waggish and buxom aspects of Wagner’s strapping little jailer-girl. Her high F sharps are pure, with the instrumental timbre of a theremin, and she is not afraid to use elbow resonance when necessary’.”

Yes, the judging has begun in the first MadLib competition. Look on this site for an announcement of the winners later today.

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