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Born in the USA

Beverly Sills was nothing if not precocious (and La Cieca means that in every way — listen to the way the little sexpot purrs, “G’bye, Uncle Sol” at the end of the clip!) Anyway, here she is at somewhere between seven and nine years of age in the 1938 film short Uncle Sol Solves It. Note that even before La Sills grew into her voice, she already had locked into the trademark Sills body language, including the bouncing hands and little bob of the head when hooking into the top notes. And note also the very solid musicianship and tasteful use of rubato — even when (as at about 2:45) she has to throw a warning “follow me!” glance at her accompanist!


There’s oodles more Sillsiana on Thanksgiving night on PBS Great Performances — check your local listings and don’t forget to set the DVR! (And later in the week, La Cieca will explain how she’s only one degree of separation from La Sills. No, really.)

Bright shining as The Sun

Fred Kirshnit joins the legions dazzled by the radiance that is Millo. In The Sun, Kirshnit writes

People who love Aprile Millo really love Ms. Millo, and so interspersed among the nearly capacity crowd dressed in their finery as the National Italian American Foundation honored the soprano were the occasional young man or pair of young men tastefully outfitted in smart jeans and strategically placed around the hall for maximum claque impact. Whenever their girl appeared, there were noticeable exclamations of pure joy.

. . . .

As for Ms. Millo, she dismissed the printed program as irrelevant and offered an entirely different couple of selections . . . . But the undoubted takeaway memory was her knockout version of the “Suicidio” from the Orfano Canal act of Amilcare Ponchielli’s “La Gioconda,” which she is currently singing at the Met. This is properly classified as a dramatic soliloquy, and never have I heard it sung quite this dramatically. Ms. Millo, in addition to possessing all of the requisite vocal tools, has a highly developed sense of acting. Her little pauses and flashes of the eyes were mesmerizing. This was one of those rare performances at which I heard a loud exhalation of breath at its conclusion, and realized it was mine.

Those flashing eyes (not to mention the vocal tools) may be witnessed at Millo’s first Tosca of the season on November 25 at the Met.

Cuir eye

A couple of photos of barihunk Simon Keenlyside in full leather…

… from the Royal Opera House’s season brochure!

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Bold-faced name

Perhaps you’ve been wondering why James Levine has taken over the final two performances of this season’s Madama Butterfly at the Met. Could it be that Asher Fisch has fallen ill? Well, no, Maestro Fisch is just fine, thank you. In fact, La Cieca hears that Levine has returned so that these two performances can recorded for insertion into a DVD release of the Anthony Minghella production of Puccini’s tearjerker. UPDATE: La Cieca was close on this one, if a bit muddy on the details. The extra Levine performances this season are to complete a CD (not a DVD) recording [...]

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Don’t blame Canada

From the mailbag: Dear La Cieca, First of all, you are fab. [Several paragraphs of fulsome praise snipped.] But that’s beside the point. I just noticed that the Met has published more details on their upcoming HD broadcasts. Unfortunately, at least as far as Ontario is located, they did an abominable job in choosing their locations — Waterloo and Niagara Falls. How many people are going to drive or take public transportation from Toronto or Ottawa, for example, for that? And how many of the local population can you really rely on to make these Saturday afternoons a lasting success? [...]

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A turkey and some mistletoe

You all remember that new Norma slated for Zurich with Renaaay (and Marcello Giordani, by the way)? Well, La Cieca hears that talks are already in progress to import the show (complete with The Beautiful Druidess) to the Met. The good news is that we’ll see the retirement of the “Ping-pong Table Norma” last glimpsed behind Jane Eaglen; the bad news is, well, you know.

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Sister act

New York fans of puppylicious tenor Juan Diego Flórez will be happy to hear that he will be a fixture at the Met the next few seasons. Next year he stars in a new production of La Fille du regiment opposite his Barbiere prima donna, Diana Damrau. In 2008-2009, he headlines the first Met performances of La sonnambula since 1972, with Natalie Dessay as his sleepwalking beloved. The Flórez vehicle for 2010 will be the Met premiere of Rossini’s Le Comte Ory. More impatient fans need wait only until December 1 for their Flórez fix, when the tenor makes his [...]

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Una voce poco falafel

The infamous X-rated telephone calls from Fox News blowhard Bill O’Reilly to his producer Andrea Mackris are now arias in a decidedly secular oratorio by composer Igor Keller. According to the gossip site radar.com, Keller has set court documents relating to Mackris’s sexual harassment lawsuit against O’Reilly as “seven chorales, four recitatives, and numerous arias.” The work, Mackris vs. O’Reilly, is scheduled for a premiere in Seattle in January 2007.

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