Veils, song
As if those opera queens (you know La Cieca is talking to you, cher public) don't already have more than enough to listen to, what with Unnatural Acts of Opera, plus Sirius Met Broadcasts, plus various streaming radio on the internet -- well, now there's lots more where that came from. Well, anyway, one more from where that came from -- the Lyric Opera of Chicago, which will resume its broadcasts beginning this Saturday night, October 21.
This will be the first series of broadcasts from the Lyric Opera since the 2001- 2002 season, and LOC is kicking off the new broadcasts with a bang -- the opening night of Salome, featuring Deborah Voigt's first staged performance of the title role. The live broadcast will be on WFMT, 98.7 starting at 7:30 PM Central Time, and La Cieca has just learned that the broadcast will be streamed live over wfmt.com.
This works out particularly well, since there is no live Met Sirius performance that night. La Cieca knows how harried you get, cher public, when you have to choose which broadcast to listen to, and one at a time is all she can handle as well, at least until someone invents the internet radio equivalent of Tivo.
Well, that's Saturday night, but right now it's Monday, and La Cieca has some podcasting to do. Tonight's program, La Cieca hopes, you will find a special treat. The fabulous Regine Crespin is heard in recital at Hunter College on November 11, 1967, partnered by John Wustman on the 88s. This Unnatural Act of Opera program will be available beginning tonight, October 16.
This will be the first series of broadcasts from the Lyric Opera since the 2001- 2002 season, and LOC is kicking off the new broadcasts with a bang -- the opening night of Salome, featuring Deborah Voigt's first staged performance of the title role. The live broadcast will be on WFMT, 98.7 starting at 7:30 PM Central Time, and La Cieca has just learned that the broadcast will be streamed live over wfmt.com.This works out particularly well, since there is no live Met Sirius performance that night. La Cieca knows how harried you get, cher public, when you have to choose which broadcast to listen to, and one at a time is all she can handle as well, at least until someone invents the internet radio equivalent of Tivo.
Well, that's Saturday night, but right now it's Monday, and La Cieca has some podcasting to do. Tonight's program, La Cieca hopes, you will find a special treat. The fabulous Regine Crespin is heard in recital at Hunter College on November 11, 1967, partnered by John Wustman on the 88s. This Unnatural Act of Opera program will be available beginning tonight, October 16.
Labels: blind, cher public, chicago, crespin, diva, met, sirius, voigt











86 Comments:
Thank you so much, La Cieca. La Crespin is one of my all time favorites.
I have a ticket for Salome at Lyric on Nov 21, so it is a great bonus to hear the Saturday performance. I'll be able to see how the singers have grown during the run!
By the way, thanks to LaCieca for the fun "Gioconda chat"--please give us your review of Millo's performance next week. I'm stuck in a dress rehearsal so can't listen to Sirius.
Actually, someone has invented the internet radio equivalent of Tivo for Mac users. It's called Audio Hijack Pro and it's made by a company called Rogue Amoeba. It allows one to not only record one stream of audio while listening to another, it can also record multiple streams of audio simultaneously. This works because it records the data stream from the source instead of right before it leaves your speakers. (Though it can do that too if you want.)
I'm not usually one for doing free advertising for others, but after struggling with this issue for a while, I've found this program works much better than alternatives I've tried. Of course it doesn't eliminate dropped signals from the source-the apparent bane of all us Sirius stream recorders.
Here's a link for interested parties
http://rogueamoeba.com/audiohijackpro/
Happy listening!
brian at outwestarts
I have Audio Hijack Pro as well. It's great.
Thanks for the podcast with Crespin. What a golden voice.
I first heard Crespin at a Carnegie Hall recital in -- 1972? Dunno. I remember which girlfriend (yes!) I took as my date, and I remember my reaction: WHERE HAVE I BEEN ALL HER (meaing Crespin's) LIFE? No one has had a more perfect instrument for a wider repertory in my opera-going lifetime, and alas I missed all but the last of it due to a late arrival at the Puccini-Wagner-Strauss stations where she had spent most of her operatic career, at least Stateside. (For me at the time, it was bel canto or nothin'. I was young. What can I say?)
Thanks so much for reminding me of how very wonderful she was! (Sounds like the folks at Hunter knew it too, bless 'em.) I'm now playing her spectacular early Wagner recital (1961 -- her German was lousy, her vocalism sumptuous and deeply felt) and when I'm low, there's always her Walkuere Brunnhilde for Karajan, which is (IMHO) the best on record: aching and sensuous.
I for one am thrilled and ravished that La Cieca has given this to us. For a now-and-then, I'm definitely ready for more. (I don't suppose you have Vickers' Winterreise or something by de los Angeles, or one of Caballe's Carnegie outtings?)
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In order to hear the Lyric's stream of Salome, one needs to pay for a subscription.
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Build a watch in 179 easy steps - by C. Forsberg.
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A lot of people mistake a short memory for a clear conscience.
All generalizations are false, including this one.
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