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The Agony and the Ecstasy

. . . though not in that order, actually. Donald Collup presents a brace of his documentary films this weekend featuring two very different divas, Astrid Varnay and Florence Foster Jenkins.

La Varnay (the ecstatic part of the bargain) is profiled in “Never Before,” a two-hour video and audio journey through the early years of the soprano’s career. The film will be screened at 8:00 p.m. on Thursday, November 2 at the Lilli Devereaux Blake School, 45 East 81st Street. Admission is free. More details on “Never Before”

Agony inevitably follows the next day, Friday November 3, when Collup unveils “Florence Foster Jenkins: A World Of Her Own” at the Vocal Record Collectors Society meeting in the Phillips Auditorium at Christ Methodist Church, 520 Park Avenue at East 60th Street. The screening is at 8:00 p.m., preceded by an LP auction at 7:30. Admission is free, but seating is limited. The film includes interviews with such personalities as Marge Champion and Alfred Hubay who attended the celebrated Jenkins Carnegie Hall recital on October 25, 1944, as well as rare photographs from the Gregor Benko collection. Here’s a preview of “A World Of Her Own” –

Complete details on this event.

Buffman glance

A video of Brad Pitt in wet underpants. Now, you would think that there is no way that such a video would be less than fascinating, right? Well, you’d be wrong, because the video is directed by the only man in the world who could make Brad Pitt in wet underpants look boring.

Robert Wilson, of course. Via Vanity Fair.

UPDATE: Oh, and did I mention that Pitt is furious at what his legal representative calls an “unauthorized” use of a still from the Wilson video “portrait” that Vanity Fair used as the cover of their “Art Issue?” The cover identifies Wilson as an “avant-garde impresario,” which of course is zero for two.

Dame Joan will be so proud

According to the Sydney Morning Herald, “The male toilets of Australia’s most famous landmark, the Sydney Opera House, has been listed among hot spots for a hook up point for men cruising sex with other men.”

Jane Eaglen is going to teach young people how to sing.

“By the time her stepfather Herodes starts sucking Salome’s naked breasts, it is clear that nothing will save William Friedkin‘s Munich staging of the 1905 Richard Strauss opera about the petulant veiled princess.”

Oh, and one more thing. If you insist on casting Franco Farina, you really must tell Margaret Juntwait that when she announces the end of Cavalleria, she can’t say, “That horrible scream tells everyone that Turiddu is dead.” (Margaret, we all heard the “Addio alla madre.” After that, the shrieks of damned souls in hell sound like young di Stefano.)

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Bijoux

Peter Gelb‘s motto for the week: “Those Swarovski crystals are going on with or without you.” Maria Guleghina sings the first Tosca of the season tomorrow night, jumping in for Andrea Gruber who is under the weather. A report from the dress rehearsal notes that “Gruber had nothing above about an A, Cura was rushing the conductor the entire time, and they both ended the opera by marking the 3rd act down an octave.” Gruber was wheezing and sneezing all over Margaret Juntwait last night during the broadcast intermission, too. She’s supposed to go on for the next performances November [...]

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The motley must go on

Salvatore Licitra, who took a nasty spill Tuesday night on the way to a promo event for his new CD, will sing go on and Canio tonight at the Met. The tenor reportedly tore a couple of tendons in his shoulder and will have to wear a sling during Pagliacci. Some of the staging will be altered to accomodate his injury. Fortunately, Licitra’s onstage partner is the cool-headed Patricia Racette, who can be counted on to remember not to grab the arm as the action heats up.

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For Reals

Fifty parterre box livechatters agree: the first RealNetworks Met Opera streaming broadcast was a sensational success! Listeners compared notes last night during the performance of Rigoletto, a number of them doing an A/B comparison between the Real stream and the Sirius stream. The consensus was that the Real stream offered excellent fidelity and depth of sound at 96 kbps, featuring that quality that has seemed to elude Met broadcast producers for the past decade or so, a realistic dynamic range. (To put in in language La Cieca understands, the full orchestra actually sounds louder than the clarinet solo.) In fact, [...]

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Man on Mantova action

La Cieca hosts a chat tonight on the subject of the Met’s season premiere of Rigoletto, which also marks the first RealNetworks free streaming broadcast of a Met performance. (The performance will also be broadcast on Sirius.) The room will open at 7:45 PM.

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The return of the cigar-makeress

“There is a noise inside the tabago factory and the revolting cigar-makeress bursts into the stage,” reads the classic fractured English synopsis of Carmen. Now a Korea-based English-language site steps up to the plate with a season preview fetchingly entitled “Glamorous Opera and Moist Aria.” Some highlights: The set of the Roman Theater that reproduce the stage with the handwritten signature of Puccini, the clothing, items, and lights will be moved in as a bunch. It will bring the audience pleasure to see the original when the modernized interpretation is a boom as it is these days. Director Lee So-yeong, [...]

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Gently down the stream

Beginning tomorrow night with the season premiere of Rigoletto, the Met will offer weekly free (yes, that’s right, free) streaming broadcasts of opera performances over their website, metopera.org. Further broadcasts through the end of the year will include: Rigoletto (Siurina, Calleja, Pons) Wednesday October 25 Cavalleria Rusticana/Pagliacci (Guleghina, Racette, Licitra) Monday, October 30 Il Barbiere di Siviglia (Damrau, Flórez, Mattei) Friday November 10 Madama Butterfly (Gallardo-Domâs, Giordani, Croft; Levine) Saturday, November 18 Tosca (Millo, Fraccaro, Morris) Saturday, November 25 Idomeneo (Röschmann, Deshorties, Kožená, van Rensburg; Levine) Wednesday, November 29 La Boheme (Netrebko, Villazón) Tuesday, December 5 Don Carlo (Racette, Borodina, [...]

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The one that got away

Anna Caterina Antonacci is not, in fact, coming to the Met. Admittedly her scheduled debut was Donna Elvira and nothing definite after that, but still, she’s an interesting artist who isn’t heard enough in the U.S., and a few Elviras is better than no Antonacci at all. Apparently Antonacci was bumped in favor of Angela Gheorghiu, an artist whose participation in an ensemble opera La Cieca will believe when she sees it. La Antonacci talks about this imbroglio and other more elevating topics in an interview with Rupert Christiansen.

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