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Cher Public

  • manou: I am very fond of Leoncavallo’ s Bohème – thanks for the reminder, I am now planning to listen... 3:57 PM
  • Quanto Painy Fakor: Planning a new production of I Pirata? Modern Danish has great prices http://www.mode... 3:45 PM
  • Quanto Painy Fakor: go figure… httpv://www.youtub e.com/watch?v=Y7jF O9ZtwQ8 3:41 PM
  • Quanto Painy Fakor: “Il le faut! Il le faut” may also refer to the clowning in Poulenc’s... 3:29 PM
  • Camille: O bless your heart, LaVally! Did not know the entire enchilada was served up on utube.! CLITA! Aprons on!... 3:25 PM
  • zinka: httpv://www.youtub e.com/watch?v=3nyi 81U5-Qs What opera was….and will never be!!!!!!!!!!!!!!!! !!!!!! 3:20 PM
  • La Valkyrietta: Harriet Craig. httpv://www.youtub e.com/watch?v=-7-8 lYxPms0&featur e=related 3:18 PM
  • Buster: This Kusej sink is pure poetry: httpv://www.youtub e.com/watch?v=RJdD BKiIURQ 2:58 PM

The Autumn Leaf

Wow, news gets around fast! Within an hour after La Cieca mentioned in passing the sorry state of the peeling gold-leaf ceiling at the Met, a staffer from the house (requesting anonymity) emailed saying that this particular bit of upkeep is, sadly, not to be included among the “nips and tucks” preliminary to the new season. Our tipster says that he

asked what was the status of its repair, and was basically told that they are of course aware of it, but it’s just too expensive, requires shutting down the hall for a period of weeks while the repairs are happening, and that the artisans who do this work well are few and far between and in Europe, so … don’t expect it to happen anytime soon. To me it’s a glaring problem in a company which is trying to build a new, impressed-with-the-glam-of-the-’opera’ audience, but hey, there you are.

Met 2.0

La Cieca notices that The Met’s website metopera.org has relaunched with an abundance of new content, focusing at the moment on the eagerly-awaited opening night whoop-de-do, but also pointing to the first week’s revivals of Gioconda and Idomeneo.And that’s just the tippity-tip of the iceberg, because deeper in the site there’s a magazine’s worth of background material, everything from a photo gallery of the Met’s annual “facelift” (dare we hope that the peeling gold leaf will at long last be patched?) to a campy advice column from “Figaro” touching on such life-and-death matters as the proper use of the lorgnette and what the hell “ventitre ore” is supposed to mean. Multimedia content includes audio interviews with Anthony Minghella and Cristina Gallardo-Domâs, plus a video interview (video! On the Met’s website! Can you stand it? Is this the 21st century or what?), well, as La Cieca was saying, a video interview with Jack O’Brien , director of this season’s new Trittico. Can a Met Wiki be too far in the future?

pARRRRterre box

Avast ye, cher public! La Cieca salutes International Talk Like a Pirate Day (September 19) with music from The Pirates of Penzance and Maria Stuarda. (Don’t worry, that makes more sense than you would think.)


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The costumes, the scenery, the make-up, the props!

Now, that’s more like it, La Cieca squealed to herself when she saw this morning’s news about the multi-venue simulcast red-carpet whoop-de-do surrounding the Met’s opening night production of Madama Butterfly. It’s a celebrity-centered universe we live in; no getting around that, so why indeed not promote the Metropolitan Opera as the most glamorous show in town? La Cieca herself will be at the curb near the red carpet hoping for a glimpse of Mikhail Baryshnikov, Sean Connery, Goldie Hawn, Anjelica Huston, Iman, David Bowie, Meg Ryan, Susan Sarandon, Tim Robbins and James Gandolfini. (Al Roker, perhaps not so much.) [...]

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What you won’t hear in Luisa Miller

Here’s a YouTube clip of the original telecast of Luisa Miller, complete with the screamed “Brava Maria Callas!” before Renata Scotto‘s first solo. La Cieca is informed that (reasonably enough) this interruption had been edited out of the eagerly-awaited DVD version. Note, too, that the DVD will feature state-of-the-art video and audio restoration, unlike this rather faded VHS dub. Also new and fresh on YouTube, a clip courtesy of Premiere Opera of the all time champion Turandot team, Birgit Nilsson and Franco Corelli. La Nilsson’s closeups were apparently filmed separately and lip-synched, but that’s all to the good because this [...]

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Renata’s revenge

After more than a quarter of a century, Renata Scotto gets the last word over that silly queen who made a career of disrupting her Met performances. The DVD of the “Live from the Met” telecast of Luisa Miller was released today, and is available at Amazon.com at a 30% discount off the list price. This is the performance of January 20, 1979, during which Fernando or whatever her name was shrieked “Brava Maria Callas!” in the instant of silence before Scotto launched into “Lo vidi, e ‘l primo palpito.” No word so far as to whether the DVD preserves [...]

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Endless Love?

The Artists Formerly Known As The Love Couple made one of their now-rare duo appearances last weekend singing something called “Come Prima” at a BBC concert in London’s Hyde Park. The poster for the event suggests that Angela Gheorghiu and Roberto Alagna are shall we say, growing apart. Why the distance between the once-inseparable team? Don’t go blaming Sir Terry Wogan! But could it have something to do with the unbilled appearance of “hunky Romanian pop singer/actor” Stefan Banica Jr.? Mr. Banica, star of such film epics as Liceenii rock’n roll (1990) and Sexi harem Ada-Kaleh (1999), recently created the [...]

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Artificial flower

That “Age of the Diva” soprano, Renee Fleming, swept into Los Angeles last weekend to lay down video tracks for her upcoming DVD of Traviata. Los Angeles Opera cleverly captialized on the public’s interest in America’s Sweetheart by selling high-priced tickets to the taping, calling the event a “gala opera performance.” We will of course have to wait for the DVD to see how it all turned out (and La Cieca’s breath is already bated!), but at least one critic was less than bowled over. Muses the LA Times’ Mark Swed, . . . what’s to be done about Fleming? [...]

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