Headshot of La Cieca

Cher Public

  • brooklynpunk: There seems to have been a massive purge, recently, of many of my favorite classical music and... 10:31 PM
  • Quanto Painy Fakor: It would be interesting to know if the NYCO actually sold 600 seats per performance (house... 10:30 PM
  • zinka: httpv://www.youtub e.com/watch?v=OJKp Czyn0Lg Imagine standing behind Caballe’s behind as she bent... 10:29 PM
  • OpinionatedNeophyte: As well as the *best* Lawrence Brownlee material, including an absolutely sublime rendition... 10:25 PM
  • CruzSF: Coming after a mostly dreary season by the country’s “flagship 221; company, I’d... 10:25 PM
  • ianw2: Three clips! Testament to her skill that if anyone else tried to go from Isolde to Eliza, it would be far... 10:18 PM
  • grimoaldo: “coloraturaf an2 has been terminated because we received multiple third-party claims of... 10:15 PM
  • grimoaldo: Oh yes indeedy cruz I loved every millisecond of the whole thing, Boross rocked, the whole cast was... 10:11 PM

Idomeneo Jacket

La Cieca’s on vacation this week, but here’s something to watch until she returns.

116 comments

  • celticpriestess says:

    ROTFLMAO! I could do without the special effects person, but that fellow Wolfgang sure wrote some great music for the soundtrack! :-)

  • il stupendo says:

    La Cieca: may we have Ms. Bette Davis’s ‘the star’ or ‘dead ringer’ set to the following music:

    1. Handel’s ‘tu, preparati a morire’ from ‘ariodante’ or,

    2. Madame Edda Moser’s ‘der holle rache’ or,

    3. La Bartoli’s singing of a fast Vivaldi aria?

    Ms. Crawford and Mozart -how extravagant!

  • Baritenor says:

    I didn’t recognize the Singer…does anyone know who it is?

  • Cerquetti-Farrell says:

    I believe its Edita Gruberova from the complete recording under Pritchard (his second, with VPO, Pavarotti, Baltsa, Popp et al)

  • Baritenor says:

    Compleatly unrelated, but did anyone else read the article about Rene Pape in the New York Times Today? Really Cool.

  • la divina due says:

    I thought it was Sutherland. Sometimes I think Gruberova has morphed into her.

  • Baritenor says:

    Did Sutherland ever record the aria? and for that matter, ever play it onstage? I know she never recorded the role compleate.

  • il stupendo says:

    Joanie sang Mozart’s Electra on July 4-28, 1979, at the Sydney Opera House.

    highlights of the live broadcast, including the aria ‘d’oreste, d’aiace’, is preserved on cd:

    http://www.amazon.com/gp/product/B00005LZR7/qid=1145858128/sr=1-2/ref=sr_1_2/102-3510158-2665746?s=music&v=glance&n=5174

    i thought anyone can recognise Edita at once. she has this unmistakable sound of ‘despair’ in her timbre, no matter what she sings.

  • papagenodz says:

    and sutherland takes the so wanted and always denied high note at the end of d’oreste d’ajace … love it.

  • marschallin says:

    Completely unrelated, but did anyone else read A. Tommasini’s review about Debbie Void in the New York Times today? Really Uncool.

    CHUBBY DEBBIE

    MADE OF TOSCA A VOID

    BUT NOT FOR TONYTOM

    WHY ANOTHER TRIUMPH TO AVOID

    WHEN SCARPIA THUNDERED “YOU MAY BE THINNER,

    BUT THAT VISSI D’ARTE AIN’T NO WINNER”

    DRESSLITTLE AD-DED “OLD HAS BEEN,

    YOUR WOBBLING

    TO BE BELIEVED MUST BE SEEN”

    ………

    CARA CARA

    A TE O CARA

    REMEMBER CHERYL

    LA LA

    DEVOID SINGS TROUBLED

    BUT GAY FRIENDS

    ARE A WONDER DOUBLED

    A TE O CARA

    OH CHERYL RARA

    TURN BAD KARMA …..

    ….. TO REAL DRAMA