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Caught with her pants down

La Cieca has just heard that Jossie Perez has been canned from the prima of the Met’s new production of Romeo et Juliette. A source at the company says that the mezzo was protested by maestro Bertrand de Billy. The plum of singing the trouser role of Stephano on the opening night goes to Joyce DiDonato, who saved the Met’s bacon earlier this month when she agreed on short notice to stand by for the ailing Olga Borodina in La Cenerentola.

DiDonato reportedly will take home an extra-fat paycheck for learning Stephano on short notice and singing the first two performances. Romeo opens two weeks from Monday, and Perez rejoins the cast on November 21. No word yet who will jump into DiDonato’s Cherubino performances between now and then.

Knock me over with a feather

“Newcomers to opera sometimes don’t get the appeal of a dramatic form with so few surprises. Audiences know how Tosca ends before the performance even begins. Earlier this month, though, two operas provided some measure of suspense.” JJ’s latest reviews in Gay City News.

Nous avons en tête une affaire

So it seems Opera Ireland was shipping sets and costumes for a borrowed Traviata production from Germany to Dublin. A routine customs check of the hoopskirts and chaises longues turned up an interesting if non-traditional prop: a 6 kilo bag of cocaine worth about half a million Euros. Since this was not a Christopher Alden production, the customs officials concluded that the drugs didn’t belong in Traviata and so must be evidence of smuggling. According to Ireland On-Line, Director of Opera Ireland David Calopy complained that his troupe, in residence at the aptly-named Gaiety Theatre, “were now in a very difficult position because the theatre company needs the goods that remain impounded for their upcoming season.” Believe me, Mr. Calopy, La Cieca feels your pain.

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To dye for

The only thing better than knowing that a singer has had the greatest Sternstunde of her career is having that performance documented. Montserrat Caballe‘s Norma at Orange, for example, which is one of truly must-have DVDs for any true opera fanatic. Now, Dame Gwyneth Jones has had many great nights in her amazing career, but it’s hard to imagine she (or anyone else!) could ever top her performance as the Dyer’s Wife in this 1980 Frau ohne Schatten from the Paris Opera. Voice, commitment, acting, and La Jones’s remarkable physical beauty are at their peak: this is a definitive Faerberin. [...]

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You cut Glauce’s aria!

La Cieca has found her new theme song.

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Mirror, mirror on the wall

Twice the terror as murderous twins! Joyce Castle is Edith Phillips! Lypsinka is Margaret DeLorca! DEAD RINGER“Loved? You’ve never loved anyone but yourself!”

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Morir, si pura e bella?

UPDATE: Not only are Gli Alagni scheduled for Aida at La Scala in 2006 (as noted yesterday), La Cieca has just heard that Peter Gelb has promised them a new production of Carmen at the Met in 2009-10. And, yes, Gheorghiu is the Carmen, not the Micaela. This is all at least four years in the future, so don’t book your tickets yet. Actually, this tidbit could have waited a few days (or years) but La Cieca wanted an excuse to post the scrummy photo of Bobby as Radames. Doesn’t he look like he’s about to say, “My father rules [...]

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Aprile Aircheck

parterre box fave Aprile Millo is on WQXR tonight at 9:05 PM EDT in a broadcast of a concert given for the George London Foundation. Sharing the bill are tenor Garrett Sorenson and Ken Noda on the 88s. You can listen in to the excitement here.

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Stand clear of the closing doors

The next time you roll your eyes at an operatic plot complication involving mistaken identity, just consider this: Mirella Freni‘s cancellation of her gala peformance of Fedora at the Washington National Opera last month was apparently due to a bungled phone message. According to a WNO insider, La Freni telephoned the company’s main office to inquire when to expect the car that would take her to a costume fitting. Whoever answered didn’t recognize Freni’s voice (or, apparently, her name) and advised the diva that she shouldn’t be taking a car anyway, given that her hotel was right near a Metro [...]

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Welcome to the sixties!

To mark the 70th birthday (and rumored retirement) of Luciano Pavarotti, “Unnatural Acts of Opera” presents a performance from the tenor’s pre-superstar period. It’s La boheme opposite Mirella Freni, with Thomas Schippers conducting, as broadcast on RAI (Rome) on July 17, 1969. After the acts, it’s even more of the Pav, singing scenes from I lombardi, Lucia di Lammermoor, I puritani and Rigoletto, 1966 – 1972. Act 1 begins tonight on Unnatural Acts of Opera.

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